The Old Rock and the New Old Rock


It was a busy week last week. I ended up going to two gigs on consecutive nights in backwater little townlets to see some really quite surprising bands.

First up was Blue Öyster Cult in the tiny village of Holmfirth, made famous by being the setting to Last of the Summer Wine. The venue was certainly peculiar, being as it was a half renovated play house with scaffold and steel fencing supporting half the structure and a peculiar sloping floor. Still, it was a decent enough place and the sound was fine to my ear, so I was ready for some rock.

Given that BÖC released their first album 7 years before I was born, I think they can be referred to as "old school" quite legitimately, and the show reflects this. As Ian (whose idea it was to go to this gig) pointed out, when the band started out a live show actually meant more than just playing a selection of songs from the album and going home. And it shows. 10 or 20 minute versions of classics like "Then Came The Last Days Of May", "(Don't Fear) The Reaper" and "Godzilla", complete with duelling guitars, massive 4 guitar riff fests, drum solos and alternating vocalists. Top stuff.

So after all that, what could follow it? Well, a Friday night in Stocksbridge, steel centre of Sheffield, to see Mostly Autumn on the weekend prior to the release of their new album, Glass Shadows.

After finding possibly the single most distant venue in Sheffield, and standing around for an hour drinking a well kept and surprisingly cheap Farmer's Blonde from Bradfield Brewery, the band took to the stage. They played a good selection of classics and new material, which was great for me. Hearing songs from a new album live before you've even taken the album out of the shrink wrap makes them all the more special, and owning the album 3 days before general release makes it even more so.

Overall, the new album is a bit less proggy, a bit less folky, but definitely Mostly Autumnal. It's a solid release that surpasses the sometimes half-baked Heartful Of Sky, with none of the songs particularly disappointing (although one or two bring out puzzled expressions and exclamations of "What the... ?!", but in a good way) Still, overall a win, and a great couple of gigs. More like that, please.